Legends of Speed is an homage to eight of the modern era’s most coveted hypercars — original artworks made in tribute, not photographs of the cars and not affiliated with or endorsed by any of the marques named. Each is captured at the threshold between machine and myth, where engineering stops being engineering and becomes desire.
The need — the wall for a room built around one obsession
Our decorator treats this as the clearest case in the catalogue for the single oversized statement piece. A study, a games room, a garage-turned-lounge, a boardroom with a personality: one large work at scale, and the rest of the room organises itself around it. The eight split usefully by temperature — Ferrari LaFerrari and Lamborghini Sian FKP 37 bring the saturated reds and acid greens that carry a neutral room on their own, while McLaren Speedtail, Koenigsegg Jesko Absolut and Porsche 918 Spyder sit in colder graphite and silver registers that suit a modern office without shouting. Aston Martin Valkyrie and Pagani Huayra Roadster BC are the most sculptural of the set and reward a wide horizontal wall.
The production — the object as portrait, not as catalogue image
The art director’s rule for the series was to refuse the showroom. No forecourt, no press-shot three-quarter angle, no dealership lighting. Instead each car is handled as a portrait subject: dramatic raking light along a single line of the body, deep shadow doing most of the composition, atmosphere and reflection carrying the rest. Bugatti Chiron Super Sport 300+ is built almost entirely from the way light travels down one flank; Pagani Huayra Roadster BC leans on surface and craft detail the way a jewellery image would. These are transformative works — an artist’s reading of a silhouette that has already entered popular myth, in the long tradition of automotive art. Acrylic glass is the right mount for exactly this kind of image: the depth of the face-mount makes lacquer read as lacquer and gives the highlights a genuinely lit quality, without any light source in the room.
The sale — the enthusiast is the most reliable collector there is
Our gallerist has no hesitation about this one. Automotive passion buyers know precisely what they want, recognise a wrong detail instantly, and buy more than once — the single most repeat-friendly audience in the shop. The eight are chosen to cover the canonical modern grid, so a collector can assemble a personal hall of fame rather than accept a pre-set. Sell it two ways: one hero piece at maximum size for the room that has a wall to spare, or a coordinated run of three to four across a long wall, where the shared lighting language holds the group together even though the marques differ. Museum-quality images of objects their owners already consider sculpture.
→ Discover the Legends of Speed: Hypercars of the Modern World collection